The Medieval Church, The Book of Margery Kempe and Everyman :: Book of Margery Kempe Essays

The Medieval Church, The hold up of Margery Kempe and Ein truthman While the Reformation is generally regarded to have begun with Martin Luthers famous treatise of 1517, the seeds of dissent sown in the 14thcentury had already taken full root in England by the middle of the fifteenthcentury. War, disease, and oppressive government led to a general anger toward the Catholic Church, believed to be among the greatest of the oppressive landowners (Norton 10). John Wycliffe, whose sermons preached against abuses in the church and try to shift the focus of religious faith away from church rituals and onto biblical interpretation, was persecuted. Renaissance Humanisms notion of individual agency was filtering crosswise the Channel. The medieval texts The Book of Margery Kempe (probably written in the late 1430s) and Everyman(after 1485) are because products of turbulent religious times. Everyman, in that it highlights the importance of the sacraments and the clergy, can be seen as a resp onse on the part of the Catholic Church to the challenges it faced. The Book of Margery Kempe gives hints into the nature of these challenges. Both texts reveal a medieval concern rough the role of the clergy in England. The Book of Margery Kempe, while presented as weird autobiography, was withal a story as transcribed by a priest. Although the manuscript was not discovered until 1934, it shows evidence of having been read and studied much in the beginning this time. Annotations by four additional hands, probably monks associated with the important Carthusian priory of draw near Grace in Yorkshire fill the margins of the British Library MS (Staley 2). Believed to continue much of the characteristic form and expression of its author, it even so mustiness be remembered that Kempes story was interpreted and presented through a very specific (clerical) lens (Norton 367). Lynn Staley, who studied the early annotations made to the original manuscript, notes that the marginal com ments and underlining are directed toward elucidating the affective emphasis of the text (5). The challenge to potence implicit in Margerys experiences, Staley continues, is downplayed by highlighting those characteristics that link Margery to the conventions of spiritual ecstasy (6). Staley suggests that Kempes narration is shaped to guide subsequent readers towards a carefully controlled response, one that obviates the radical social gospel submerged in Kempes Narrative (6). Given that this radical social gospel is nonetheless present in Kempes story and that it contains an ambiguous picture